For a long time, opening up the draft of my book was just about all I could manage. A draft that was, at times, more than 70,000 words and I was convinced that the second edit I did had just made it worse.
And I was lost about how to make it better.
I edit for a living. I’ve been a professional editor for more than a decade. I love tweaking sentences, fiddling with tenses and eliminating extraneous words that bog down the beat of a paragraph.
I check every number, every place, every name. I miss things, sure, but I’ve caught more mistakes in my career than there are jelly beans in the dish on Pam’s desk. That’s the process for the day job, the job that scratches my itch for working with words.
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Piece by piece. Line by line.
In the NaNoWriMo world of writing, the first draft is a magical thing. It’s a mad sprint meant to free the writer within, silence the inner critic. And it’s lovely, until the sprint ends and the goal is met and it’s time for the marathon of slicing and dicing.
It’s overwhelming, there’s no doubt. But once I took my story piece by piece, line by line, it took shape. It made sense and it wasn’t overwhelming anymore. It was still big but it was manageable, and piece by piece, I got it done.